|
Arizona
Friends of Chamber Music
|
|||||||||||||||||||
|
LEE HOIBY String Quartet with Soprano ("Sonnet and Soliloquies on William Shakespeare")
Published: expected by Schott. The composer's website: http://www.leehoiby.com Lee Hoiby on Wlkipedia: http://en.wikipedia.org/wiki/Lee_Hoiby The question of the appropriateness of the singers gender to these texts opens interesting doors. In an operatic version of Twelfth Night written by Purcell or Handel, Orsino might quite plausibly be a castrato. So might most of the roles in Twelfth Night. In the two sonnet settings, Shakespeares own voice, emblematic for centuries of universality, certainly belongs to both genders. In general the Sonnets tend to treat gendered particularities as cavalier fancies, continually trumped by the more powerful relations of status, family, age, and talent. The quality of mercy, a passionately earnest sermon, is delivered by a female character, disguised as a male, and, on Shakespeares stage, played by a male. (Notes by Mark Shulgasser, librettist for Mr. Hoibys Shakespearean operas.)
|
|||||||||||||||||||
|
|||||||||||||||||||